The Kwame Nkrumah University of Science and Technology (KNUST) is home to various historical landmarks that hold significant cultural value.
One such monument is the Big Six Monument at the Independence Hall, which stands as a powerful symbol of Ghana’s independence struggle.
Behind this iconic structure is Jesse James Azzu, a sculptor whose journey from Odumase Krobo in the Eastern Region to the world of academics is as unique and detailed as the artwork he creates.
Azzu’s decision to pursue sculpture, despite his family’s expectations for him to become a lawyer or architect, reflects his passion for the art form.
Azzu’s connection to the late Vincent Akwete Kofi, a renowned artist and former head of the Art Department at KNUST, further inspired his pursuit of sculpture. His body of work reflects his commitment to expressing his creativity and cultural pride through art.
The Big Six Monument was a spontaneous idea that Azzu brought to life, depicting the six Ghanaian independence leaders together in concrete for the first time in the country.
This symbolic tribute has become a significant part of Independence Hall and the university community, with wreath-laying ceremonies held on March 6th to honor the hall and Ghana.
Azzu’s dedication to leaving a legacy extends beyond the Big Six Monument. His work at Queen Elizabeth II Hall at KNUST showcases themes of royalty, achievement, and development, celebrating the hall’s successful alumni and growth.
Promoting the African narrative through his art, Azzu focuses on inscriptions and traditional elements in his sculptures.
His contributions to various projects, including the Gyamadudu Museum and ECG main logo cast in Kumasi, highlight his mastery of casting techniques and dedication to showcasing African art on a global stage.
